In June 1937, in the build to another global crisis, the “Mass Observation” study sought to capture the private thoughts and values of ordinary British people. Paid for by the establishment, but designed by artists, Mass Observation recruited 1000’s of “observers”. They listed objects on their mantelpieces, the incidentals of domestic life and noted overheard conversations.
RELEVANCE NOW Throughout the C19 crisis “social isolation” has commonly been described as a new and temporary phase for all of us. But in many contexts, people live with social isolation for years, if not decades. For e.g. prisoners have spent 23 hours a day in their cells recently, with all visits stopped since March. Documental Theatre wants to explore how individuals create a vivid and rich universe for themselves within tight parameters. We’ll recruit three sets of contributors, all of whom are the support or “prop” to a vulnerable loved one, and as such, forever floating apart from mainstream experience, whatever that is. The groups we are doing research with include:
– Families of overseas service people
– Spouses of long-term prisoners
– Carers of an adult child with profound learning disabilities
– People supporting a loved one awaiting an immigration decision
– Remote islanders
– Seasonal workers from overseas, sending money home
HOW WILL WE MAKE THE STORIES?
Their personal domestic archives and testimonies will inform and inspire six 15’ radio dramas, written by playwrights, for broadcast on National Prison Radio, Phonic FM, Soundart Radio and other stations in spring 2021, plus six 5’ spoken word pieces, authored and introduced by the contributors themselves.
The sound design for this series will be suffused with textures of the objects in the archive. The radio plays are shaped around the internal thoughts of two characters whose lives collide in unexpected ways. The immediacy of this kind of drama best serves a wide ranging listenership, who may have English as a second language or a disrupted history of formal education. We hope original drama like this can offer relief and solidarity to people living with an ongoing degree of social isolation.
Co-produced by Documental Theatre and Exeter Phoenix, directed by multi-award winner Sarah Meadows, written by Stephen Myott, Lucy Bell and Emma Dennis-Edwards (BBC Writersroom) with more writers to be confirmed, music direction by Ben Kwasi Burrell (Small Island at The National Theatre) and sound editing by Jack Drewry (associate artist of Wardrobe Ensemble and artistic director of Tremolo Theatre). Sound Gallery’s Duncan Chave will be editing the micro-podcasts by contributors to accompany the series. The series will be produced by Exeter Phoenix’s Live Programme Coordinator, Naomi Turner, and will be creatively overseen by award-winning station, National Prison Radio. If you are interested in finding out more or would like to discuss broadcasting, contact lucy[at]documentaltheatre.co.uk
PROPS radio series is funded by Golsoncott Foundation, Arts Council England and Audio Content Fund